Follow the Banshee's Wails! Join the Tribe of Ghosts, Vampires, Banshees, Witches!

Follow the Banshee's Wails! Join the Tribe of Ghosts, Vampires, Banshees, Witches!

  This is my new blog. My earlier one, dormant now, with my juvenilia and a bit beyond that is over at Heartstrings on blogspot.  Meraki-- g...

Monday 24 June 2024

2 poems in Prachya Review + a bunch of forthcoming news

 Hi Folks, 


So sometimes the banshee takes a break from wailing about love-lorndom and portending death, and the ghost takes a break from the usual haunting and stalking. I have 2 environment- related poems in Prachya's 'green' issue, a journal from Bangladesh managed by Shafinur Shafin. You can read them here


In a bunch of other forthcoming news, I am signing a contract with Queer Ink publishers for publication of my campus-based novel, The Yellow Wall, dealing with queer and autistic sexuality and trauma depression blah blah and well, college life. Only I'm keeping fingers crossed that nothing goes wrong like no major disagreements while editing and stuff... hope everything goes smoothly and the book can be published! 

I also have a bunch of other stuff that's probably forthcoming--- don't worry, I get more than my fair share of rejections probably, both professional and personal, so I dunno how some of the banshee's wails are getting accepted right now but I have 2 short speculative fiction pieces coming out, all about berserk banshees and other creatures (and queer and autistic sexuality!), and a flash fiction piece about an impostor I met online who taunts and harasses me because the impostor actually knows all personal details about me, and then this suicide poem that's been accepted for the yearbook of indian english poetry. So you'll hear about all this in good time as and when it comes out. 

So The Yellow Wall needs to be edited and published, I have this Berserk Banshees short stories thingy ongoing, and this Sapphic Epistles series of love-letters to poets, writers, artists, singers, actors and other creatives on themes of sexualities and mental illnesses (have no clue where it's going but hopefully somewhere), and this imaginary little novella in my head about autistic people set on saturn, well it begins from saturn but our protagonist comes down to this imaginary river island in the middle of guwahati, anyway this story really is non-existent as of now. Also, non-existent academic ideas on autistic/neurodivergent sexuality, and another one on place and memory, but these are a bunch of dreams unless a bit of luck makes them materialise before the banshee dies. 

If there's a lull in between, I might post something here from the past 3 years when my blog was hibernating. 

Okay, enough! Putting the 2 Prachya poems below:


A Peepul Tree Leaf

The Peepul Tree by the Ganga
outside my grandparents' house
became for me, the Kadamb tree
by the Yamuna, in the hindi poem
my mother always read out to us.
A peepul tree is home.
A peepul leaf is movement.
Wherever whenever I see
a leaf fluttering amidst stillness
I know it is a peepul leaf
the stillness of home found in its movement.
Carnivorous Cavern

Water swirled, milled around, whispered,
roared. Eroded. Penetrating the deep cracks
of earth. As deep as roots of trees.
Water that came from far away frozen icelands
where sheet upon sheet of ice melted,
under the glare of the hot burning sweltering sun
and gases which made the earth nauseous
and turned it sick into water. An abundance of water
now filled the oceans. The first floods were in the oceans.
The oceans overspilled their boundaries,
encroached upon land. The oceans ate up the land.
The swirling waters were persistent. They loosened
up the earth, the soil swept it into the ocean.
And the water created a cavern. Below the tree.
A cavern of roots, always buried in the earth,
suddenly exposed to air. A cavern with roots as temple pillars,
which humans had pillaged and pilloried. The water ate up the land.
Underground roots were now exposed to air.
The tree still clung on desperately to its roots,
to life. Resisting gravity. Resisting being swept out into the ocean,
resisting death. Its frail tenacity is combating men.



'It is Always the Same Sunless Season' Poem in Fem Asia

 'It is Always the Same Sunless Season', originally titled 'It is Always the Same Sunless Season Here' was published in FemAsia, a London-based magazine, although the Chief editor is of course South-Asian-- currently Sri Lankan doctoral scholar Shameela Yoosuf Ali! It's a full on drama, dreary landscape poem of love lorndom. You can read it here


I am also putting the text below: 


It is Always the Same Sunless Season Here


Black, overhanging clouds growl and smother
Not one piercing ray of light
The silent river is desperate for a gleam,
The lake beyond craves just a sparkle of light
A dance of sunbeams, just snatches stolen away
The leafless trees raise their arms heavenwards
Forever in supplication, in prayer, in penance,
In worship, in abjection, in restless longing
Their arms entwine and thrash and shake up
The entire sky with the dark clouds high above
The trees have no shadows because shadow too needs light

Rain never penetrates the clouds here
Water doesn’t evaporate without sun anyway
The only precipitation is as icicles and frost
Sticking rigidly, jaggedly, to the branches
The surface of the lake is glassy with ice
There are no birds on these trees, no sign of life
It is forever winter here, there is no spring
Nothing changes, nobody comes, nobody goes
No hope of spring coming, no hope of you
Time stands still in this seasonless place
It has been eighteen years.
Occasionally, very very occasionally
(We cannot say when, as there is no concept
of time here, nor are there any occasions)
The clouds may part for an instant
A glimpse of light may be caught
And its memory guarded jealously for years
This world revolves around these sightings,
Forever on the brink of imminent collapse.


'Deepor Beel' story published in Parcham journal

 

The Banshee shows her Assam-fascination in this story 'Deepor Beel' published in Parcham, an international journal based out of West-Bengal. Shayan A. Bhowmik is the editor and the team has many fantastic people on it including Sumana Roy and Bhaswati Ghosh. Deepor Beel is a lake in Guwahati. The story is mostly about climate change, but Parcham has published it in their childhood issue, so I suppose it has some childhood in it? 

You can find it here. I am also putting the text of the 1800 words story below: 


“Deepor Beel”: — Shruti Krishna Sareen

Tuni Das bolted and locked the front door of her house and walked down the garden path to the little white gate. Shutting it firmly behind her, she looked up and down the road for her cab. She was a woman of short height, in her mid-40’s. She had bob cut hair which was gradually greying. She wore a long pink skirt with a blue top, and had her sunglasses on her head. Tuni Das was a botany teacher in Guwahati with a passion for birds. Her binoculars hung round her neck with a loose chain, and she had her camera in hand. She had called for a cab to take her to Deepor Beel, one of the largest wetlands and biodiversity hotspots. Unfortunately the once pristine Deepor Beel was now a biologically and environmentally threatened habitat. It was drying up and had now shrunk to two-thirds of its original size. Tuni didn’t really go there as much as she used to earlier. She preferred other places for bird-watching. But it was April, the season of the migratory birds, and she thought of visiting it after almost an entire year. Less than a hundred bird species now visited the lake which used to attract hundreds of bird species earlier. 

Deepor Beel was quite a distance away, on the outskirts of Guwahati. It would take a while to get there. As the cab sped past, first through the traffic of city lanes and later through quieter environs, her thoughts turned to the Beel. The southern side of the Beel was bounded by some forested hills. There were loads of huge elephants in these hilly forests and they would come down to the Beel for water, or to eat aquatic plants such as the water hyacinths, the water lily and the rhizomes. Tuni loved these magnificent and gentle creatures. However, a tragedy had befallen them a few years ago when a railway track had been built, running between the Beel and the hills. This obstructed the elephants’ path and they were sometimes killed on the railway track, on one of their several trips between the hills and the Beel. On the eastern side of the Beel was an ever growing waste dump where all the garbage of the capital city was thrown. This trash threatened to swallow up the entire Beel. The Beel was a freshwater body. A couple of small rivers, the Bhoralu and the Basistha fed the lake with the polluted water from Guwahati city. Both the rivers originated in Meghalaya, and flowed through the city of Guwahati before joining the main Brahmaputra river. The Bhoralu was one of the most polluted rivers of Assam. The Basistha flowed through the southern part of the city where the temples were, and this brought all the temple waste to the lake. The rivers also carry all the untreated sewage of the city— the city had no sewage treatment plant. 

Tuni tried to think of the birds she would soon see to turn her mind away from these dismal thoughts. Well, she was not disappointed. The biodiversity hotspot still had an amazing variety of birds, far more than you would find in the city. As the taxi turned the corner and Deepor Beel came in full view, Tuni saw the breathtaking sight of thousands of birds swarming across the water body. She could lose herself here and live here forever. She was blissfully happy wandering around the lake by herself, shooting bird photographs, although there was a twinge of sadness and dismay when she thought of what the Beel had been in the past. She literally lost herself as she wandered and did not realise where she was going. She suddenly realised that she was towards the eastern side of the lake, where the garbage dumps were. 

She thought she heard something. She looked around. She saw two small children. One of them seemed to be crying. She walked over to them. They seemed to be roaming around the garbage dumps. Rag pickers?, Tuni wondered. The children seemed to be hunting for something. Perhaps food. Dead elephant carcasses lay around the garbage dumps. Greater adjutant storks were feeding on these. The fish in the lake which they used to feed on had disappeared. The waste piles were deserted save for the children, and the greater adjutant storks. And the dead elephant carcasses. “Ki hol?”, she asked in Assamese. “What happened?” “Ekunai. Nothing”, answered the boy. But his voice was sad, as if he was suppressing something. “No, tell me what it is”, insisted Tuni. “Let’s go away from here, there’s such a garbage stench. Let’s walk over to that little clump of trees, and we’ll sit there. Then you tell me.” The children let themselves be guided by Tuni. “What are your names?”, she asked. “Jiri”, said the girl. “Luit”, said the boy. “Oh, how nice!”, she cried. “All of us are named after rivers. My name is Tuni.” “Now tell me what’s the matter”, she continued, as they all sat down. Jiri and Luit looked at each other. “Jiri, you go ahead”, said Luit. “Okay”, said Jiri. “Can I call you Tuni baidew?”, she asked, looking up at Tuni. “So the story is simply this. Our parents used to fish here. They would fish in the Beel and would get some money by selling the fish. The leftover fish we would eat ourselves. We used to go to school, Luit and I. I have studied till class 6th, Luit till 7th. But then, they forbade fishing in the lake. They said it’s bad for the environment. Anyway, the number of fish was reducing because the oil spills flow into the lake. The lake is full of kerosene, the fish are full of kerosene. Then the silt from the hills gets deposited in the lake. The silt from all the mining and quarrying in the hills. So when it settles into the lake, the number of fish decrease. Anyway, so we were not allowed to fish. Then our parents turned rag pickers here on these waste dumps. But it’s so hard to survive like this. Rag picking doesn’t bring money like fishing does. So we had to quit school. And start rag picking too. Plus, there’s such a terrible stench out there. Last month, I got rashes on my legs wandering amidst those garbage dumps. And Luit has picked up an allergy, he keeps sneezing all the time. There’s shortage of food. Sometimes we find some leftover food among those waste heaps. So I was just crying because… Because… Sometimes I feel I can’t take it anymore. Our life was so beautiful earlier. This year, the floods in the city where worse than ever this year. Our house was inundated. The goats perished. We couldn’t even fish as the fish get away in the waters. You want to add something, Luit?”, she asked, again looking at him. “Bihu is about to come. And we can’t find half of the hundred and one herbs leaves and plants we need to make the dishes. Jiri and I have been out, trying to collect some for days. These plants have just vanished. Disappeared. All because of this stupid climate change. And they find it easy to ban us from fishing and evict us. But why don’t they ban the railways from building tracks there and the oil companies releasing all their kerosene in the water, and all the corporates and affluent people responsible for garbage? Why is it only our fault?”, he said. “Jiri and I have this dream, that we’ll get out of this, we’ll have better lives”, he continued wistfully. 

Tuni was reminded of her own family, who, two or three generations earlier, had been fishermen.   They had managed to improve their lot in life, and look at her today, elite botany teacher carrying cameras and binoculars. The luxury of leisure. She looked at the two woebegone faces beside her and her heart went out to them. “Come with me”, she said, getting up. “We’ll go to a nice little place and eat something.” She took them in the cab to a small cafe near her place in the main city. She ordered them a farm fresh pizza and glasses of cold coffee to drink. Jiri and Luit were delighted. They looked bright-eyed at the food and voraciously wolfed it down. They hardly talked, they were so busy satisfying their tummies and their souls and their senses. “You both must come to work in my garden from tomorrow”, she said. “You must stop going to the Beel to collect garbage. My house has a pretty little garden and I need a gardener. The plants need to be watered, the flower beds need to be dug and new ones have to be planted, the grass is full of weeds. Then I have bird-feeders all over the place. Those must be filled too. And there’s a ton of other work that the garden needs every season. You can help out with the odd jobs and whatever projects I plan.” Jiri and Luit looked up at her with tears of happiness. “Our dream is coming true. Our life is changing for the better”, said Jiri. “You have been so good to us”, said Luit “we can’t thank you enough.” “It’s the least I can do”, said Tuni. “Come tomorrow, okay? House number 43. Uzan Bazar. Come at 5pm. See you then.” 

Tuni had left the cab. The cafe was quite near her place. She would walk down. “What a frightful mess”, she thought. “I could help these two, but there are hundreds of others. And then the birds and the fish and the elephants and the plants— all just dying out like that! It’s a humongous tragedy and nobody realises it. The floods are increasing too as the air is warmer because of global warming, so it holds more moisture. They could easily take a few measures. They should just divert the waters of the flash floods into the Beel. That will be an excellent thing all round. That will rejuvenate the Beel and will solve the flood problem as well. But then, in order to do that, they have to first clear the mounds of garbage surrounding the Beel which blocks the inlet. And they must rehabilitate the people living near the Beel if they are to release the flood waters there. This must absolutely be done to kill two birds with one stone. But why would anyone want to kill birds, anyway? Dear me, what awful proverbs we have in this language”. Thus musing, she reached the small white gate and the pretty little garden. 


Saturday 22 June 2024

A Witch Like You : debut poetry collection

 

Let me begin the blog with my debut poetry collection, A Witch Like You, published in April 2021 by Girls on Key Poetry, Australia, with some lovely blurbs by poets Philip Nikolayev, Rochelle Potkar, and Karthika Nair. 

Many of the poems from this collection are on Heartstrings, my older blog, found at www.shrutanne-heartstrings.blogspot.com   

This older blog was initially created while I was still an MA student, so please forgive my juvenilia. 

A Witch Like You is available on Amazon India here and worldwide at Pothi here

For three years since then, I've mostly been lazy and dormant in blogging, but surely not in writing! 

Follow the Banshee's Wails! Join the Tribe of Ghosts, Vampires, Banshees, Witches!

 


This is my new blog. My earlier one, dormant now, with my juvenilia and a bit beyond that is over at Heartstrings on blogspot. 

Meraki-- greek-- doing something with a bit of yourself in it, with soul, love, creativity

Querencia-- spanish-- a place where you feel safe, which you call home, a place from where you draw your strength of character 

Meraki I Querencia showcases my writing, art and whatever, from ghosts, vampires, berserk banshees, goddesses, witches, inner phantoms, satans, christs and paradise, saturn's moons and rings, imaginary islands, to my very own querencia, the yellow wall. It will also always include purple flowers, and the colour coral.

On a more serious note, I write mainly of sexualities and neurodivergence/mental illness here, but also of flowers and colours and all our querencias- a more equal world for all. 


Fellow crazies who want to join the tribe of the ghost-vampire-banshee and follow her wails can drop in their email id as a comment on this post or through the contact form on the right-side panel and you will hear the call in your email each time the banshee wails here. Or you may email the banshee directly at shrutanne.ipcollege@gmail.com to be added to her (hopefully) far-reaching cries.